If you were going to play a triad shape on top of every note of the C Major scale, youвЂ™ll play this: If this concept sounds familiar, youвЂ™re on to something! Diatonic chords are chords built on each degree of the scale. When someone says вЂњplay a вЂone chordвЂ™ in C Major,вЂќ this really means: вЂњPlay the chord built on the first scale degree of the C Major scale.вЂќ Scale degrees are pretty straightforward, but how are they used? LetвЂ™s look at some naming conventions! Numbering System for Chords We can represent this in the Nashville Number System by writing #6 and #7.

In A Minor, where by default there are no sharps and flats, this means we play F sharp and G sharp instead of F and G. If you can recall the rules for minor scales, a melodic scale is when the sixth and seventh notes are raised a half-step when we play the scale going up. The concept for A Melodic Minor is similar, but a few extra markings are required to accurately label some scale degrees. To hammer in this concept, letвЂ™s take a look at a minor key example.

Jazz-style variance throughout the course of the tune throughout makes it not worth it IMO. And is is mostly used for music that hangs around one key center without much variance. We assign each scale degree a number, and to be honest, thatвЂ™s the gist of the Nashville Number System! We use these numbers, named after scale degrees, as a shorthand to name chords. The Nashville number system is a quick shorthand way of writing a chord chart for songs independent of a specific key center. Each note of the scale is called a scale degree. C Major contains the notes C-D-E-F-G-A-B.Д¬ is the first note of the scale, D is the second, and so on. In the Nashville Number System, we assign a number to each degree of the scale. Well learn the foundational pieces that build this new perspective and then apply these concepts to real-world scenarios, charts, and songs.

Nashville number system chart minor